{"id":1516,"date":"2025-12-27T20:29:04","date_gmt":"2025-12-27T20:29:04","guid":{"rendered":"https:\/\/majocaporaletti.com.ar\/?page_id=1516"},"modified":"2026-01-09T17:47:07","modified_gmt":"2026-01-09T17:47:07","slug":"perseguir-un-rastro","status":"publish","type":"page","link":"https:\/\/majocaporaletti.com.ar\/en\/perseguir-un-rastro\/","title":{"rendered":"Perseguir un rastro, Museo Evita Palacio Ferreyra, C\u00f3rdoba, Argentina- Dic 2025- Marzo 2026"},"content":{"rendered":"

[spb_row element_name=”Row” wrap_type=”content-width” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”0.5″ bg_video_loop=”yes” parallax_video_height=”window-height” parallax_video_overlay=”none” row_overlay_opacity=”0″ row_col_pos=”default” width=”1\/1″ el_position=”first last”] [spb_blank_spacer height=”30px” width=”1\/1″ el_position=”first last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”]<\/p>\n

Following Trace <\/span><\/h2>\n

Palacio Ferreyra Museum of Fine Arts, C\u00f3rdoba, Argentina - Dec. 2025 - Mar. 2026<\/h3>\n


\nFor several years now, Majo Caporaletti has viewed painting as a refuge and a method for understanding. A space for thought where the question of what lies behind\u2014on the other side of matter and spirit\u2014insists on appearing.
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\nThis new exhibition brings to light a series of internal landscapes that evoke the sensations imprinted on her body during a trip to the Atacama Desert. There is no desire to record here. That was the purpose of photography, a tool that fulfilled its function as an archive. Painting, on the other hand, operates as a device for sensory reactivation: a means of revisiting that space and connecting with the emotion that a landscape awakens.
\n<\/span><\/h3>\n


\nIn these interior landscapes, a seemingly real world opens up to the strange, to mystery. Majo brings together in his paintings, again and again, the action of two opposing forces to provoke the explosion of matter. After approaching the forces of nature and participating in their secrets, his canvases are filled with allegories of the processes of dissolution and recomposition, of change and rebirth, of living matter. In effect, they arise from the desire to capture, through the light of painting, a light as vast as that which floats on water, which illuminates the face of another, the light that hides behind the eyes.
\n<\/span><\/h3>\n


\nIn line with his research and spiritual quests, these images symbolize the transformation of being as part of natural cycles. Thus, the Atacama landscape becomes a shifting mirror\u2014an undulating screen onto which another space can be projected, as Ver\u00f3nica Gago would say\u2014where all possible spaces can fit.
\n<\/span><\/h3>\n

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Carolina Cuervo<\/span><\/h3>\n

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[\/spb_text_block] [\/spb_row] [spb_row row_responsive_vis=”hidden-xs_hidden-sm” element_name=”Row” wrap_type=”full-width-contained” row_bg_type=”color” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”standard” bg_video_loop=”yes” parallax_video_height=”window-height” row_top_style=”none” row_bottom_style=”none” parallax_video_overlay=”none” row_overlay_opacity=”0″ remove_element_spacing=”no” row_col_spacing=”0″ row_col_pos=”default” row_col_equal_heights=”no” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ minimize_row=”no” simplified_controls=”yes” custom_css_percentage=”no” custom_css=”margin-top: 0px;margin-bottom: 0px;” border_styling_global=”default” width=”1\/1″ el_position=”first last”] [spb_gallery gallery_id=”1520″ display_type=”masonry” columns=”2″ fullwidth=”yes” gutters=”yes” image_size=”full” slider_transition=”slide” show_thumbs=”yes” autoplay=”yes” show_captions=”no” enable_lightbox=”no” width=”1\/1″ el_position=”first last”] [\/spb_row] [spb_row row_responsive_vis=”hidden-lg_hidden-md” element_name=”gallery mobile” wrap_type=”standard-width” row_bg_type=”color” color_row_height=”content-height” bg_type=”cover” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”standard” bg_video_loop=”yes” parallax_video_height=”window-height” row_top_style=”none” row_bottom_style=”none” parallax_video_overlay=”none” row_overlay_opacity=”0″ remove_element_spacing=”no” row_col_spacing=”0″ row_col_pos=”default” row_col_equal_heights=”no” row_expanding=”no” row_animation=”none” row_animation_delay=”0″ minimize_row=”no” simplified_controls=”yes” custom_css_percentage=”no” custom_css=”margin-top: 0px;margin-bottom: 0px;” border_styling_global=”default” width=”1\/1″ el_position=”first last”] [spb_gallery gallery_id=”1520″ display_type=”masonry” columns=”1″ fullwidth=”yes” gutters=”yes” image_size=”full” slider_transition=”slide” show_thumbs=”yes” autoplay=”yes” show_captions=”no” enable_lightbox=”no” width=”1\/1″ el_position=”first last”] [\/spb_row]<\/p>","protected":false},"excerpt":{"rendered":"

[spb_row element_name=”Row” wrap_type=”content-width” parallax_image_height=”content-height” parallax_image_movement=”fixed” parallax_image_speed=”0.5″ bg_video_loop=”yes” parallax_video_height=”window-height” parallax_video_overlay=”none” row_overlay_opacity=”0″ row_col_pos=”default” width=”1\/1″ el_position=”first last”] [spb_blank_spacer height=”30px” width=”1\/1″ el_position=”first last”] [spb_text_block animation=”none” animation_delay=”0″ simplified_controls=”yes” custom_css_percentage=”no” padding_vertical=”0″ padding_horizontal=”0″ margin_vertical=”0″ custom_css=”margin-top: 0px;margin-bottom: 0px;” border_size=”0″ border_styling_global=”default” width=”1\/1″ el_position=”first last”] Perseguir un rastro Museo Evita Palacio Ferreyra, C\u00f3rdoba, Argentina- Dic 2025- Marzo 2026 Desde hace algunos a\u00f1os, Majo Caporaletti concibe a la pintura como refugio […]<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1516","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/majocaporaletti.com.ar\/en\/wp-json\/wp\/v2\/pages\/1516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/majocaporaletti.com.ar\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/majocaporaletti.com.ar\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/majocaporaletti.com.ar\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/majocaporaletti.com.ar\/en\/wp-json\/wp\/v2\/comments?post=1516"}],"version-history":[{"count":14,"href":"https:\/\/majocaporaletti.com.ar\/en\/wp-json\/wp\/v2\/pages\/1516\/revisions"}],"predecessor-version":[{"id":2296,"href":"https:\/\/majocaporaletti.com.ar\/en\/wp-json\/wp\/v2\/pages\/1516\/revisions\/2296"}],"wp:attachment":[{"href":"https:\/\/majocaporaletti.com.ar\/en\/wp-json\/wp\/v2\/media?parent=1516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}