{"id":301,"date":"2020-04-21T00:06:00","date_gmt":"2020-04-21T00:06:00","guid":{"rendered":"http:\/\/majocapo.wwwaz1-lr4.supercp.com\/?page_id=301"},"modified":"2026-01-09T17:00:10","modified_gmt":"2026-01-09T17:00:10","slug":"about","status":"publish","type":"page","link":"https:\/\/majocaporaletti.com.ar\/en\/about\/","title":{"rendered":"BIO"},"content":{"rendered":"

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Majo Caporaletti<\/h3>\n
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Born in Buenos Aires in 1986, she holds a degree in Visual Arts from the National University of the Arts (UNA), Argentina. From 2013 to 2015, she attended the Drawing and Morphology atelier at the \u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts (ENSBA) in Paris.<\/h3>\n

Her practice focuses on drawing and painting, and her work has been recognized in national competitions and biennials. She received an Honorable Mention in Painting at the 110th National Prize of Visual Arts (2022), the Acquisition Mention at the 14th Bancor Painting Prize (2021), and Third Prize at the 4th Fundaci\u00f3n Vittal Painting Prize (2018), among other distinctions.<\/h3>\n

Recent solo exhibitions include Following Trace<\/em> Following Trace (Ferreyra Palace Museum of Fine Arts, C\u00f3rdoba, 2025), Breathe the Night<\/em> (Praxis Gallery, Buenos Aires, 2024), and The beauty of uncertainty<\/em> Beauty of Uncertainty (Alejandro Bustillo Gallery, Buenos Aires, 2022).<\/h3>\n

She has participated in group exhibitions such as Misshapes<\/em> (Praxis Gallery, New York, 2024) , How Could I Not Be Dead?<\/em> (Galer\u00eda MITE, Buenos Aires, 2024), Through the Looking Glass<\/em> (Praxis Gallery, Buenos Aires, 2023), and Forces<\/em> (Sputnik Gallery, Buenos Aires, 2022).<\/h3>\n

In April 2025, she participated in the Reimagine Futures residency<\/em> in the Atacama Desert, invited by La Wayaka Current (UK).<\/h3>\n

Her work is part of public and private collections.<\/h3>\n

Her painting draws inspiration from, among other things, the relationship between the natural world, the world of dreams, and the areas where the human and animal worlds intersect. When painting, it is his inner vision that encounters the world and dialogues with the visible, giving rise to a body of work situated between the plausible and the dreamlike. Through the use of light and symbolic language, Caporaletti investigates the translation of emotional states, affections, sensations, and forces. Painting thus becomes a form of exploration and knowledge: an attempt to capture what exists at the edges of perception and to maintain the image as a question rather than an answer.<\/h3>\n<\/div>\n

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