Immediately after birth, arriving from the depths of absence, we need something to look at us. We call this something that emerges in darkness, abandonment, emptiness, hunger, night, and solitude “an image.” Pascal Quignard.
How much does a force at rest weigh? How open can a color be? What shape does something that does not yet have a name have? Is the act of painting a way of walking between worlds? These questions drive my practice, shaping an intuitive exploration in which painting becomes both inquiry and revelation.
I conceive of art as a tool for knowledge and critical reflection on our relationship with the environment and with ourselves. For me, painting is a way of inhabiting the unknown, of opening questions rather than closing them. I am attracted to what exists on the threshold, on the border between the visible and the hidden, between the human and the animal, between this world and other more subtle planes. My work is situated in that space of transition, where intuition and image converse to reveal what does not yet have form or name.
Painting as an attempt to capture the intangible and give form to that which exists at the edges of perception. In the world of dreams. Each work invites a dialogue with the unknown, remaining open to questions that may never be fully answered.
